Architecture · FLORIDA
Reading time: 9 minThere are stretches of coastline that seem to demand architecture of a particular quality; places where the meeting of land and ocean is so charged with natural energy that anything less than a considered response feels like a missed opportunity. Surfside, Florida, is one of those places. Positioned just north of Miami Beach on a slender strip of barrier island, with the Atlantic Ocean pressing against its eastern edge and Biscayne Bay shimmering to the west, it is a setting of genuine natural power. And it is here, on a site of rare coastal significance, that Zaha Hadid Architects has designed The Delmore: a residential building of exceptional sculptural ambition that is set to become one of the most architecturally significant addresses in the state.
The project also marks the first United States venture for DAMAC International, the Dubai-based developer whose global portfolio already spans London, Toronto and the Maldives. That a practice of DAMAC’s international standing would choose Surfside for its American debut — and engage Zaha Hadid Architects to design it — speaks to something important about the continuing evolution of South Florida as a destination for genuinely serious architecture, and about the calibre of vision that The Delmore represents.

A Design Born from the Coast
Zaha Hadid Architects approaches every project with a method that begins not with preconceived form but with a sustained interrogation of place. For The Delmore, that interrogation was unusually rigorous. Before a single design decision was made, the practice gathered extensive environmental datasets covering the site in granular detail: solar radiation patterns, seasonal temperature fluctuations, humidity levels, prevailing wind directions, rainfall intensity, air quality readings, and the variable conditions of both the ground beneath and the sea beyond.
These findings were fed into complex parametric models, a design process in which digital tools translate real-world environmental data directly into architectural geometry. The result is a building whose every curve, every angled surface, every shaded balcony has been precisely calibrated to respond to the conditions of this specific coastal site, at this specific latitude, in this specific climate. It is a design philosophy that goes far beyond the superficially aesthetic. At The Delmore, the form of the building is the direct consequence of understanding its place.
Miami and its surrounding communities enjoy more than 250 days of sunshine each year in a tropical monsoon climate that delivers heat, humidity, and seasonal rainfall in distinct patterns. These realities shaped every aspect of The Delmore’s design: its orientation, the depth and geometry of its balconies, the configuration of its facades, the positioning of its shared spaces. The building has been designed to live well in its climate rather than simply to resist it; a distinction that matters enormously in the everyday experience of the people who will one day call it home.

The Architecture of Light and Air
The most immediately striking aspect of The Delmore’s design is its sculptural form: two curvilinear wings, each rising above the Surfside shoreline, separated by a dramatic central void that ZHA describes as a “canyon.” This is not merely a compositional device. It is a structural and environmental idea of real intelligence.
The canyon allows sunlight to penetrate deep into the interior of each residence, ensuring that living spaces receive generous natural light throughout the day even as the building’s overall massing provides shade and shelter from the most intense heat. Within it, precisely sculpted architectural fins create a visual rhythm that focuses sightlines toward the Atlantic beyond, framing the ocean as a kind of living artwork, visible from deep within the building’s core.
Those fins serve a double purpose. They serve as shading elements, filtering direct sunlight and moderating solar gain, while also functioning as privacy screens, allowing residents to enjoy unobstructed outward views without compromising the sense of seclusion within. It is exactly the kind of architecture that performs multiple functions simultaneously, in which the structural, the environmental, and the experiential are not separate considerations but a single, integrated response.
The balconies that wrap the building’s exterior are among its most distinctive features. No two balconies are vertically aligned; each is offset from the one above and below it, giving the facade its undulating, wave-like quality and a rhythm that shifts with every level. The geometry references the ocean’s movement and the rhythmic patterns of Surfside’s sand dunes, embedding the building in its coastal setting through both form and material memory. The balustrade detailing introduces subtle ripples that echo the wave patterns of the beach below; a gesture small in scale but significant in intent, connecting the architecture to the natural landscape it inhabits.

Subtropical Modernism, Reborn
The Delmore’s architectural language draws explicitly from Miami’s celebrated tradition of Subtropical Modernism, an approach to design born in the mid-twentieth century from the recognition that buildings in the tropics need to work differently from those in cooler climates. Subtropical Modernism, closely associated with the Miami Modern (MiMo) movement that flourished along Collins Avenue and Biscayne Boulevard, combines sculptural expressiveness with deep shading, free-flowing interior spaces, and an architecture that celebrates rather than resists its climate.
Zaha Hadid Architects reinterprets this tradition through the lens of the practice’s signature approach: parametric fluidity, material richness, and a refusal to treat form and function as separate concerns. The building’s curvilinear geometry, its sheltered galleries and its careful relationship to light and shadow place it in direct dialogue with the great subtropical buildings of Miami’s architectural history. At the same time, its technical sophistication and contemporary ambition ensure it belongs entirely to the present. It is a building rooted in its regional context without being constrained by it; exactly what the best architecture always manages to be.
What distinguishes Zaha Hadid Architects’ contribution here is the precision of the environmental response. MiMo architecture of the postwar era was brilliant in its intuitions about subtropical living, and it worked by feel. The Delmore uses computation to do what mid-century masters did by instinct and experience, arriving at a building whose every surface has been tested against the specific realities of this coast, this sun angle, this wind pattern. It is Subtropical Modernism evolved.
“What makes The Delmore compelling is not simply that it is beautiful, but that the beauty is purposeful — every curve, every fin, every angled balcony is the direct consequence of understanding this specific place at this specific latitude.”
Living Between Ocean and Sky
Within The Delmore, residences occupy the building’s north and south wings, with most floors configured to offer two generous homes per level. The uppermost two floors provide single-residence layouts of exceptional scale and privacy, occupying the full footprint of each wing. Guest suites positioned on the second floor give residents the flexibility to accommodate visitors in comfort, without compromising the privacy of the primary residences above.
Throughout, the spatial experience is defined by depth, proportion and view. Floor plates are designed to be generous, extending far enough into the building to create rooms of real presence, while positioning key living spaces to capture the most compelling sightlines. Master bedrooms and principal living areas face east toward the Atlantic; secondary spaces face west toward Biscayne Bay, ensuring that the relationship between building and water is evident from every corner of every home.
The expansive terraces and sculptural balconies that distinguish the building’s exterior translate, from within, into an outdoor living quality that genuinely extends the inhabited space of each residence. These are not token gestures of open air; they are rooms in their own right, sheltered from direct sun, open to the ocean breeze, and positioned to offer the kind of sunrise and sunset views that make the particular pleasure of living at the edge of the sea tangible every single day.
At the very top of the building, a rooftop sundeck offers panoramic 360-degree views: the Atlantic stretching east, Biscayne Bay and the Miami skyline glittering to the west. At its centre, a glass-enclosed swimming pool is suspended between the two wings; a gesture of genuine architectural theatre, alive to the sky and water that surround it, and visible as you arrive, as you swim, and from the terraces below.

Craftsmanship and Interior Life
Inside The Delmore, Zaha Hadid Architects continues the fluid, continuous language of the building’s exterior, creating interiors that feel not like separate rooms assembled from components but like spaces that have grown organically from the same design intelligence. The practice’s characteristic use of continuous curves, flowing surfaces and precisely resolved transitions produces an interior environment in which the architecture itself becomes the backdrop to daily life; present without being overbearing, refined without being cold.
The material palette is curated with exceptional care. Precision-crafted marquetry, custom metalwork and carved stone are produced by skilled artisans who bring generations of expertise to each piece. This is bespoke interior architecture rather than specification-catalogue luxury; a distinction that matters to residents who understand the difference between objects made and objects merely selected. Every surface, every fixture, every transition between materials has been resolved with the same attention that characterises the building’s exterior, ensuring that the quality of the architecture is experienced at every scale: from the sweep of a terrace view to the feel of a stone threshold underfoot.
The wellness offering is extensive and thoughtfully considered: a state-of-the-art fitness centre and dedicated yoga studios, a spa and wellness retreat, an indoor 25-yard lap pool for serious swimmers, landscaped tropical gardens and shaded courtyards designed for quieter moments, and multiple sun terraces overlooking the beach. These are not amenities added to justify a price point; they are spaces that understand how people on the coast want to live: actively, outdoors, in genuine connection with the natural environment, and with access to real restoration and recreation.

DAMAC’s Landmark American Debut
The Delmore represents DAMAC International’s first venture into the United States market, and both the location and the choice of architect say something important about the developer’s ambitions. DAMAC has built its international reputation on projects that refuse to be ordinary: developments in London, Dubai, Toronto and across the world, always in partnership with design talent of the first order, always with an eye on creating something that outlasts the moment of its conception.
The engineering credentials of The Delmore are correspondingly serious. Keller North America has been appointed to execute deep-soil mixing (DSM); a ground improvement technique that reinforces the coastal site’s foundation conditions with the permanence and precision that a building of this weight and consequence demands. Foundation permits are in place, and piling has commenced, which means that the building is advancing from vision to reality with a certainty that underscores the project’s fundamental credibility.
In bringing DAMAC’s philosophy to South Florida, the developer has identified both an opportunity and a responsibility. Surfside carries a particular weight in the collective memory of Miami, a community that has known profound loss and that deserves architecture of genuine quality, permanence and care. The Delmore, with its engineered foundations, climate-responsive design, and commitment to craftsmanship at every scale, represents an architecture built to last in every sense of the phrase. There is something deliberate and considered about that, and it feels right.

A New Landmark for Florida’s Coast
The Delmore is a building that asks a great deal of its site, its engineering, its architects and its future residents; and in doing so, it offers a great deal in return. It is not content to occupy a beautiful stretch of Florida coastline; it seeks to respond to it, to enter into dialogue with it, and ultimately to enhance the experience of it. In the hands of Zaha Hadid Architects, backed by the commitment of DAMAC International, that ambition feels not merely credible but genuinely exciting.
What makes The Delmore compelling is not simply that it is beautiful, and the renders make clear that it will be, but that the beauty is purposeful. Every curve, every fin, every angled balcony is the direct consequence of understanding this specific place at this specific latitude. The form has been earned by the process, and the process has been shaped by the place. That is, in the end, what the finest architecture always does.
As construction advances and The Delmore moves from render to reality, it is set to take its place among the most architecturally significant addresses on Florida’s coast; a building that will change what it means to live at the edge of the ocean, and that will, for those fortunate enough to call it home, make that edge a place of daily wonder.
Project Credits
Go further from here
Add to calendar
Google CalendarApple or OutlookRead next
888 Brickell is Dolce & Gabbana's first real estate project, a condo hotel rising to 1,049 feet in Miami's Brickell neighbourhood in partnership with JDS Development Group. Designed by Studio…
Miami



