INTERIORS · LONDON

Reading time: 6 min

Beneath Park Lane, Baranowitz + Kronenberg have built a steakhouse in travertine, copper, blush pink and mirror. The palette is the first decision, and the second is time: the room is designed to transform as the evening deepens, from elegant restaurant into a spirited late-night lounge.


The arrival is deliberately quiet. There is only a discreet copper door at street level on Park Lane, giving nothing away, and then a monochrome marble staircase that carries you down, below ground, into a room that feels at once sultry and serene.

This is MR PORTER, and it occupies the lower ground floor of the London Hilton on Park Lane, in the space that was once Trader Vic’s, the legendary tiki bar that ran for some sixty years before closing in 2022. In its place is something entirely different: the fourth outpost of an Amsterdam-born steakhouse, bar and lounge from The Entourage Group and its co-founder Yossi Eliyahoo, following the original in Amsterdam and sites in Barcelona and Ibiza. The interiors are by the acclaimed studio Baranowitz + Kronenberg, and what they have done here is genuinely interesting, because it amounts to a quiet reinvention. They have taken one of the most established rooms in all of dining and rebuilt it, piece by piece.


The steakhouse, subverted

To appreciate what MR PORTER is, you have to remember what a steakhouse usually is.

The classic grill room has a familiar vocabulary: wood-clad walls, a deep and masculine palette, leather booths, brass, the language of the cigar lounge. Baranowitz + Kronenberg have written a new one for MR PORTER. In its place is a restrained composition of copper, travertine, velvet and glass, a deliberately limited palette that gives the 700-square-metre space its calm. Earthy travertine grounds the room, soft blushes of pink and copper carry the warmth, and every surface feels considered, chosen for the way it holds the light. It is a steakhouse composed with a light touch, and it is all the more elegant for it.

This is not just an aesthetic preference. Eliyahoo has spoken about the importance of evolving the steakhouse for a changing world, of reflecting shifting attitudes to dining, gender and inclusivity, and opening the genre up to a broader, warmer welcome. The design carries that argument. By trading the traditional signifiers for warmth, softness and restraint, MR PORTER quietly reimagines who a steakhouse is for. That thinking runs as deep as the beautiful surfaces themselves.

The dining room at MR PORTER London with velvet seating and fabric curtain walls
The dining room and its curtain walls. Photography: Stevie Campbell.

The room that changes with the night

The second idea is the one that makes MR PORTER feel alive, and the studio has built it into the architecture.

MR PORTER runs on a concept it calls “Dinner to Sinner,” and it means it literally. Early in the evening, the space behaves as an elegant restaurant: softly lit, quietly confident, defined by its minimalism. As the night wears on, the mood is engineered to shift. The lighting deepens, the music builds, funk and soul rhythms fill the air, and the same restrained dining room evolves into a charged social lounge with the energy of a young club. Crucially, the design does this work. The mirrored ceilings and copper details come alive as the light changes, so the transformation is not just a matter of turning the music up but of the room itself performing a different version of itself after dark.

Baranowitz + Kronenberg give the space the flexibility to pull this off. The mirrored ceilings manipulate scale and perspective, amplifying the depth of the underground room and blurring the line between ceiling and floor until the space feels far larger than it is. And fabric curtain walls, in velvet and linen, introduce a softness almost unheard of in a steakhouse, diffusing sound and light and acting as movable dividers that let the room shift from open and social to cocooned and intimate as the evening asks. It is a room designed to flow rather than to sit still.


A conversation of materials

Up close, the pleasure of the interior is in its contrasts, and Baranowitz + Kronenberg are careful to let the materials speak for themselves.

Natural stone meets polished metal, hard lines meet soft curves, matte finishes sit beside reflective planes. Brushed copper runs throughout, catching and softening the light in a way that reads as both industrial and glamorous. Velvet upholstery gives the minimalism its warmth, adding comfort and tactility. There is almost no ornament, because none is needed: the design trusts the inherent qualities of each surface, the smoothness of marble underfoot, the glimmer of light on copper, the whisper of a curtain shifting, to do the talking. Light and reflection are treated almost as materials in their own right, sculpting the low, warm, shadowed space and guiding the eye through it. The result is immersive and understated, a demonstration that real luxury lies in control.

The warm, moody dining area at MR PORTER London
The moody dining area. Photography: Stevie Campbell.

The plate echoes the room

The kitchen speaks the same language as the interior, which is part of why the whole thing coheres.

Where the design champions minimalism and precision, the menu champions simplicity done well, letting the quality of the ingredients lead. Signature dishes such as the roast beef carpaccio and the Japanese wagyu ribeye arrive with the same clarity and restraint as the room around them: clean, balanced, textural, plated on understated, sculptural serveware that could almost be part of the interior. The open kitchen is integrated sleekly into the layout, putting craft and transparency on view. Food, form and feeling are pulling in the same direction, which is exactly what lets MR PORTER slip the label of “steakhouse” and become something closer to a complete sensory experience.


Frequently asked questions

What is MR PORTER London?

A steakhouse, bar and lounge on the lower ground floor of the London Hilton on Park Lane, in Mayfair. It is the fourth MR PORTER from the Amsterdam-based Entourage Group, after Amsterdam, Barcelona and Ibiza, and opened in 2024.

Who designed the interior?

The acclaimed studio Baranowitz + Kronenberg, long associated with The Entourage Group’s venues. Photography is by Stevie Campbell.

How is it different from a traditional steakhouse?

It sets aside the genre’s familiar dark wood, leather and weight, and replaces them with a restrained palette of travertine, copper, blush pink, velvet and mirror, reimagining the steakhouse as calmer, warmer and more inclusive.

What is “Dinner to Sinner”?

MR PORTER’s guiding concept. The space works as an elegant restaurant early in the evening and transforms into a lively social lounge as the night deepens, with the lighting, music and mirrored, copper-lined interior all shifting in mood.

What was in the space before?

Trader Vic’s, the celebrated tiki bar that occupied the lower ground of the Park Lane Hilton for around sixty years until it closed in 2022.

The backlit marble staircase descending into MR PORTER London
The marble staircase descending to the restaurant. Photography: Stevie Campbell.

Final thoughts

MR PORTER stands out among London’s restaurants for the confidence of its restraint. It takes one of the most familiar formats in dining, the steakhouse, and rebuilds it in a language of calm and precision, then gives it the flexibility to become a different room as the night goes on.

Baranowitz + Kronenberg have understood that the most confident thing a design can do is to hold back, and to let light, material and mood carry the experience instead. The finished space feels distinctly London in its cosmopolitan self-assurance and distinctly Amsterdam in its youthful, quietly rebellious streak. It is a reminder that great design does not need to shout. Here, beneath Park Lane, it whispers with intent, and then, as the evening turns, it starts to dance.

Project Credits

Project MR PORTER Steakhouse, Bar & Lounge
Interior Design Baranowitz + Kronenberg
Location 22 Park Lane, London Hilton on Park Lane, London
Photography Stevie Campbell