CONVERSATIONS · MARTYN WHITE An Interview With… James
White
Co-Founder, MAWD | March and White Design
Dubai, UAE & London, UK
JULY 2026
James White
DISCIPLINEInterior & Architectural Design
BASEDDubai, UAE & London, UK
KNOWN FORBranded Residences, Hospitality & Private Members’ Clubs
IN THIS CONVERSATIONDesign Philosophy, Luxury & the Future of Interior Design

MAWD | March and White Design has spent the past decade and a half building a reputation as one of the design world’s most versatile studios, moving fluidly between hospitality, branded residences and private commissions without ever settling into a single house style. Co-founder James White, alongside Elliot March, has been central to that growth: from The Shard Residences in London and Mandarin Oriental Residences in New York to the superyacht Al Lusail and members’ clubs including the Arts Club and The Crown in Kuwait, with their work spanning some of the most demanding briefs in luxury design. James leads MAWD’s Middle East studio and splits his time between Dubai and the UK, as the studio’s international footprint continues to grow.

In this interview, James reflects on how MAWD’s design philosophy has evolved since its founding, why authenticity has replaced exclusivity as the true marker of luxury, and how technology, sustainability and the growing overlap between hospitality and residential design are reshaping the studio’s approach. He also shares his view on where the next decade of interior architecture is headed, and what designers will need to do to stay relevant within it.

01MAWD has grown into an internationally recognised design practice working across hospitality, residential and commercial sectors. How has the studio’s design philosophy evolved since its founding, and what principles remain unchanged today?
James White

When Elliot and I founded MAWD back in 2010, our ambition was to create spaces with a strong sense of identity, rooted in storytelling rather than a house style. As the studio has grown internationally, our projects have become more complex and culturally diverse, but that principle remains unchanged. What has evolved is our ability to translate that thinking across different sectors, scales and geographies. Whether it’s a branded residence in New York, a workplace in London or a hospitality destination in the Middle East, we continue to focus on creating meaningful, human-centred environments that are both timeless and commercially relevant.

MAWD interior design project, King’s Road Park From MAWD’s King’s Road Park project.
02Many of your projects blend luxury with a strong sense of place. How do you balance creating globally appealing spaces while ensuring each project feels rooted in its local culture and context?
James White

Luxury today is no longer defined by a universal aesthetic. The most successful projects are those that feel authentic to their location. We begin by understanding the cultural, architectural and social context of a place, then layer that knowledge into the design narrative. At The Dorcol Residence in Belgrade, for example, the design draws inspiration from the local neighbourhood and the river, while our work at The Greenwich in New York responds directly to the views across Manhattan. The goal is always to create something globally sophisticated but impossible to imagine anywhere else.

“ Luxury today is no longer defined by a universal aesthetic. The most successful projects are those that feel authentic to their location. — JAMES WHITE
03The role of luxury is changing rapidly. What do today’s clients value most in high-end interior design, and how does that differ from a decade ago?
James White

A decade ago, luxury was often associated with exclusivity and visible opulence. Today, it is far more nuanced. Clients value authenticity, wellness, comfort and experiences that enrich everyday life. They are looking for spaces that feel personal rather than performative. We see this particularly within branded residences, where buyers are investing not only in design quality but in lifestyle, service and a deeper emotional connection to where they live.

MAWD interior design project, Marcus Townhouse From MAWD’s Marcus Townhouse project.
04When approaching a new project, what comes first: the narrative, the architecture, the client brief or the user experience? How do these elements inform one another throughout the design process?
James White

For us, it begins with understanding people and the experience. The client brief, architecture and context are all critical, but they become meaningful when connected at a personal level and envisioned through the lens of the client or guest who will actually experience the interior. In the design process each acts as a layer that helps inform the overall narrative.

05Technology is transforming the way designers work. How is MAWD incorporating AI, digital visualisation and emerging technologies into both the creative and operational sides of the business?
James White

Technology is enabling us to work with greater speed, precision and intelligence, but it is not replacing creativity. At MAWD, AI and advanced visualisation tools help us test ideas, analyse data and communicate design intent more effectively. They also improve operational efficiency across the business. Ultimately, design remains a human discipline. Technology is most valuable when it enhances our ability to make better decisions and spend more time focused on creativity, strategy and client outcomes.

The Grand Salon by MAWD, designed for Artemest' L’Appartamento during Milan Design Week A space designed for Artemest’ L’Appartamento during Milan Design Week.
06As sustainability becomes an expectation rather than a differentiator, what innovations or strategies do you believe will have the greatest impact on the future of interior architecture and design?
James White

The greatest shift will be towards longevity. Sustainable design is not simply about selecting responsible materials; it is about creating spaces that remain relevant, adaptable and valuable over time. We are increasingly focused on flexible planning, circular design principles and specifying materials with a lower environmental impact. The most sustainable project is often the one that people continue to love and use for decades rather than needing to replace.

07Hospitality design continues to influence residential interiors. Which trends or ideas from the hospitality sector do you think are having the most meaningful impact on how people want to live today?
James White

The boundaries between hospitality and residential design are becoming increasingly blurred. People want homes that offer the comfort, service and experience traditionally associated with luxury hotels. This goes beyond aesthetics and includes wellness amenities, flexible social spaces, concierge services and a stronger emphasis on community. Much of our branded residential work reflects this shift, where the expectation is no longer simply a home, but a complete lifestyle experience.

MAWD Mandarin Oriental Residential interior design — open-plan kitchen and living area MAWD Mandarin Oriental Residential interior design — study with media wall
From MAWD’s Mandarin Oriental Residential project.
08Looking across the global design landscape, are there any cities, regions or cultural movements that you believe are currently producing the most exciting and influential design thinking?
James White

The most exciting work is often happening in regions experiencing rapid cultural and economic transformation. The Middle East and US regions continue to redefine what is possible at both an architectural and urban scale, while London and Milan remain highly influential through their focus on craftsmanship, materiality and design innovation. What is particularly interesting today is the growing exchange of ideas between regions, creating a more globally connected design conversation than ever before.

09What is one design decision or project detail that clients rarely notice, but which you believe has the greatest impact on the overall success of a space?
James White

Space planning. People often remember how a space made them feel rather than any individual design feature. The way you move through a project, how views are revealed, how light changes throughout the day and how public and private spaces are balanced can fundamentally shape the experience. When these elements are carefully considered, the design feels effortless, even though they are often the least visible aspects of the process.

MAWD interior design project, King’s Road Park — double-height living room From MAWD’s King’s Road Park project.
10If you could identify one major shift that will define the next decade of interior design and architecture, what would it be, and how should designers prepare for it?
James White

The next decade will be defined by experience-driven design. As technology becomes increasingly integrated into daily life, physical environments will need to work harder to create emotional connection, community and a sense of belonging.

Designers must think beyond aesthetics and consider how spaces support wellbeing, identity and human interaction. The practices that succeed will be those that combine creativity, cultural understanding and technological innovation to create places with lasting relevance.

MAWD interior design project, King’s Road Park — formal dining room From MAWD’s King’s Road Park project.

Talking with James White is a reminder that longevity in luxury design has less to do with trend-chasing than with listening; to place, to culture, and to the people who will ultimately live within a space. That principle has carried MAWD from The Shard Residences to branded developments now reshaping skylines across the Middle East and the US, and it continues to guide the studio as James and Elliot lead its next chapter of regional growth. If experience-driven design is indeed where the next decade is headed, as James suggests, MAWD’s own trajectory over the past fifteen years looks less like a prediction and more like a preview.